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Probably binging Schitt's Creek in my room right now

  • Writer's pictureShivam Srivastava

Looking into Designers who work with type

For my project, I am centering my focus on typography, making it the heart of whatever product I create. Typography is not just a design element for me—it’s the core around which all other aspects of my work revolve. To deepen my understanding and refine my approach, I started exploring the work of artists and designers who have profoundly impacted the field of typography, leading me to the groundbreaking contributions of David Carson and Barbara Kruger.



David Carson, a leading contemporary graphic designer and art director, is renowned for revolutionising the graphic design landscape in America during the 1990s. His work broke away from conventional design rules, introducing a chaotic and experimental style that was both innovative and evocative. As the art director of Ray Gun magazine, Carson didn’t just design layouts; he transformed the very essence of graphic design by integrating unconventional typographies and distinct, often disorienting layouts. His approach, dubbed ‘grunge typography,’ rejected the clean, orderly aesthetics that dominated the industry, instead embracing a raw, unfiltered style that mirrored the cultural shifts of the time. Carson’s designs are not merely visual but deeply emotional, prioritising how a design feels rather than adhering to traditional notions of how it should look or function. This focus on emotional impact over formal structure is incredibly inspiring to me, encouraging me to consider how my own work can evoke emotions and leave a lasting impression on the viewer.



Similarly, Barbara Kruger, an influential artist and designer, merges typography with photography to create striking, thought-provoking works that comment on societal issues such as consumerism, feminism, and power dynamics. Kruger’s iconic designs, characterised by bold, sans-serif type set against found imagery in a stark black, white, and red color palette, are powerful visual statements. Her work challenges viewers to reconsider their perceptions, using simple but impactful text to question societal norms and provoke thought. Kruger’s art is more than just visually striking; it’s a form of social commentary that uses design as a tool for activism. This dual role of design—as both an artistic expression and a medium for societal critique—inspires me to think critically about the messages I want to convey in my work. It shows me that design can go beyond aesthetics, serving as a powerful voice in addressing and challenging social issues.


Both Carson and Kruger embody a bold, unconventional approach to design and art. They use visual language not just to create beautiful or interesting compositions but to communicate powerful messages that resonate on a deeper level. Their work demonstrates that design can transcend mere aesthetics, becoming a profound mode of communication that engages with society and provokes critical thought. By challenging established norms and pushing boundaries, they exemplify how design can be both intensely personal and universally impactful.


Being inspired by their work encourages me to explore how my own designs can break free from traditional constraints, engage with broader societal themes, and resonate emotionally with my audience. Carson’s focus on the emotional experience of design and Kruger’s use of design as a tool for activism inspire me to pursue a path where my work not only stands out visually but also communicates meaningful messages, challenges perceptions, and contributes to the larger discourse in society. This inspiration drives me to use typography not just as a design element but as a central, communicative force in everything I create.

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